The Oaks News
We are pleased to welcome Saskia de Wit who joins Garden and Landscape Studies as a one-month research awardee from January 9 to February 7, 2017.
Saskia de Wit is an assistant professor at the University of Technology in Delft, where she helped establish a master track in landscape architecture and now teaches landscape architecture, planting design, landscape theory, and history. She also leads her own office, Saskia de Wit Garden and Landscape, with realized works in the Netherlands and Switzerland.
While studying for her master’s degree in landscape architecture at Wageningen University, she was introduced to the notion of landscape architecture as a transformation of the existing landscape. During an exchange year at Delft University, architecture and an integral connection to urbanism were added. Her interests in both the garden and the characteristics of landscape are expressed in several books, papers, and articles, notably The Enclosed Garden (coauthor Rob Aben; 010 Publishers, 1999), and Dutch Lowlands: Morphogenesis of a Cultural Landscape (SUN Publishers, 2009). Gradually her focus deepened on the garden as the most condensed expression of landscape—as a core of the discipline of landscape architecture—and in 2014 she finished her PhD research on “Hidden Landscapes: The Metropolitan Garden and the Genius Loci.”
Currently she is working on transforming her PhD research into a book for a broader audience. While at Dumbarton Oaks, she will be working on two essays on the role of interstitial spaces in the metropolitan landscape and on the sensorial properties of place. These notions come together in her understanding that interstitial spaces might hold keys for opening up often-hidden landscape qualities “underneath” the metropolitan tissue, qualities that can be defined as “place,” if they can be perceived as such.
We are pleased to welcome Anthi Andronikou, who joins Byzantine Studies as a One-Month Research Award recipient from November 16 to December 15. The award at Dumbarton Oaks will grant Anthi access to material in the Byzantine Collection and the Image Collections and Fieldwork Archives, and will ensure the successful completion of her project on “Venice before Venice: Serenissima's Visual Culture in Pre-Venetian Cyprus.”
After completing her BA (ptychion) in art history and archaeology from the National and Kapodistrian University of Athens in 2004, Andronikou received an MPhil in Byzantine art history and archaeology at the same institution. Andronikou also holds an MLitt in late medieval and Renaissance Italian art from the School of Art History at the University of St Andrews. In 2015, she completed her PhD at St Andrews with a thesis entitled “Italy and Cyprus: Cross-Currents in Visual Culture (Thirteenth and Fourteenth Centuries).”
During her studies, Andronikou participated in several excavations in Cyprus and Greece. For her doctoral thesis, she traveled widely across Italy and Cyprus and took part in several conferences and workshops. She received the Rome Award from the British School at Rome in 2014, and she is currently participating in the early-career research grant on “Art of the Crusades: A Re-Evaluation,” led by the SOAS Institute and the Getty Foundation. Currently, she is working as a tutor at the School of Art History at St Andrews and is coediting, with Peter Humfrey, a volume dedicated to the mythological works of a private collection.