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Musicroom
Music Room
Mask, Teotihuacan, Early Classic, 200–500 CE
Mask, Teotihuacan, Early Classic, 200–500 CE
A townsman robs a villager’s orchard (haft awrang fol.179b). At the Freer Gallery Washington DC.
A townsman robs a villager's orchard (haft awrang fol.179b). At the Freer Gallery Washington DC
The Byzantine Self (March 18–19, 2011)
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Cross Talk Day School (March 26, 2011)
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The Many Worlds of Ihor Ševčenko (February 26, 2011)
'Saints and Sacred Matter' Symposium (April 29–May 1, 2011)
After Evagrius
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Dumbarton Oaks Pre-Columbian Gallery VI, Andean North Coast
Dumbarton Oaks Pre-Columbian Gallery VI, Andean North Coast
Dumbarton Oaks Orientation Gallery
Dumbarton Oaks Orientation Gallery
Dumbarton Oaks Rare Book Gallery
Dumbarton Oaks Rare Book Gallery
Dumbarton Oaks Rare Book Reading Room
Dumbarton Oaks Rare Book Reading Room
Dumbarton Oaks Music Room with House Collection
Dumbarton Oaks Music Room with House Collection
Dumbarton Oaks Textile Gallery
Dumbarton Oaks Textile Gallery
Fig. 1: Ramat Rahel, southwestern corner of the site (Lipschits 2008–2009)
Fig. 1: Ramat Rahel, southwestern corner of the site.
Fig. 2: Built terraces and rock-cut agricultural installations (Lipschits 2008–2009)
Fig. 2: Built terraces and rock-cut agricultural installations.
Fig. 1: Amplitude maps of Grid 3 (Çağaptay-Arıkan 2009–2010)
Fig. 1: Amplitude maps of Grid 3.
Fig. 2: Map of Grid 17 with salvage excavation walls (Çağaptay-Arıkan 2009–2010)
Fig. 2: Map of Grid 17 with salvage excavation walls. The red outline represents the shape of the grid, with the black dot as 0,0. The blue rectangles are the ...
Fig. 4: Reflection profile 17, x = 8.5 in the amplitude maps, showing several of the features visible in the slice maps (Çağaptay-Arıkan 2009–2010)
Fig. 4: Reflection profile 17, x = 8.5 in the amplitude maps, showing several of the features visible in the slice maps. At 2 m a wall is visible. This is ...
Fig. 1: Aerial view of Byzantine excavations on northern terrace (Steadman 2008–2009)
Fig. 1: Aerial view of Byzantine excavations on northern terrace.
Fig. 3: Kitchen area (oven in foreground) (Steadman 2008–2009)
Fig. 3: Kitchen area (oven in foreground).
Fig. 4b: Metal implements found in kitchen area (Steadman 2008–2009)
Fig. 4b: Metal implements found in kitchen area.
Fig. 4c: Metal implements found in kitchen area (Steadman 2008–2009)
Fig. 4c: Metal implements found in kitchen area.
Fig. 2: Detail of the paintings in the Bema (Kakoulli and Fischer 2008–2009)
Fig. 2: Detail of the paintings in the Bema dated to the 1183 painting phase and characterized by the “rococo” style developed in Constantinople.
Fig. 1: Plan of the church in its last phase (Beaudry 2007–2008)
Fig. 1: Plan of the church in its last phase (reconstructions in grey), with the later chapel in the apse and (hatched) areas explored in 2007.
Fig. 3: Window voussoirs in the destruction layer, looking west (Beaudry 2007–2008)
Fig. 3: Window voussoirs in the destruction layer, looking west.
Fig. 4: Capital B.982 of the second order of the south colonnade (Beaudry 2007–2008)
Fig. 4: Capital B.982 of the second order of the south colonnade.
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